Awards for Contemporary Bulgarian Art 2006.

Výstavný katalóg.

Druhá kniha z edície Umenie v skratke je venovaná jednému z najvplyvnejších umeleckých hnutí 20. storočia – surrealizmu. Kľúčové myšlienky tohto hnutia predstavil francúzsky básnik André Breton v Manifeste surrealizmu v roku 1924. Surrealisti sa zahĺbili do podvedomia a neostýchali sa prepájať bizarné, vzájomne nesúvisiace predmety. Osvojili si všetky dostupné médiá, od úžasnej kožušinovej šálky Meret Oppenheimovej po Las Pozas, fantastickú záhradu Edwarda Jamesa, nachádzajúcu sa v hlbinách mexického dažďového pralesa. Ako prví prišli s myšlienkou inštalácie ako tvorivej koncepcie výstavy.
Britská historička umenia Amy Dempsey v tejto pôsobivej knihe predstavuje najvýznamnejších predstaviteľov hnutia, ich diela a vyše 40-ročné pôsobenie surrealistických skupín na medzinárodnej umeleckej scéne.

Christian Marclay is a New York-based, Swiss American artist who emerged in both the contemporary art and music scenes during the 1980s. He works across numerous visual media - sculpture, installation performance, found objects and collage - along with music and its artifacts, to create a unique, multidisciplinary art. Also a respected composer and DJ. he has collaborated with John Zorn and Elliott Sharp, among many others. In his visual works he sometimes simply evokes the memory of music, as in The Beatles (1989), a pillow crocheted out of Beatles audio tapes. Elsewhere he examines the cliched images of music-making, for example those found on LP record covers, charismatic, classical music conductors, smiling Easy Listening girls and sultry rock stars. These are then carefully sewn together to form hybrid figures echoing the splicing of the music itself (Body Mix, 1991-93).
Marclay has presented his unique sound-and-vision works at the Whitney Biennial, New York, 1991 and 2002, and at the Venice Biennale, 1995 and 1999, among many other key international exhibitions. A major travelling retrospective of his work originated at teh Hammer Museum, Los Angeles, in 2003 and ended its tour at the Barbican Art Gallery, London, in 2005. The highlight is his tour de force, Video Quartet (2003), a four-screen installation largely combining Hollywood film clips associated with music, edited together with virtuoso precision.

Prehľadné spracovanie súčasného umenia prostredníctvom najvýznamnejších osobností a ich diel, ktoré udávajú tón a charakter dnešného výtvarného umenia.

Art Now : 137 Artists At The Rise Of The New Millennium: 138 Kunstler Zu Beginn Des 21 Jahrhunderts: 138 Artistes Au Commencement Du 21eme Siecle

This volume offers updated biographical information on 150 influential artists. It includes a section produced in collaboration with The Art Newspaper which lists museums, restaurants and hotels, and even gives the scoop on how much one can expect to pay for a Damien hurst or a Sharon Lockhart.

Umelecká monografia.

Výstavný katalóg z výstavy múzea moderného umenia vo Viedni.

Výstavný katalóg.

Eberhard Bosslet
Johannes brus
Elisabeth Corvey
Hermann EsRichter
Jochen Fischer
Peter Freese
Monika Gunther
Heinz Kleine_Klopries
Laszlo Lakner
Holger Leistner
Wolfgang Liesen
El Loko
Wulf Nolte
Veronika Pogel
Ernst Baumeister
Rainer Bergmann
Robert Bosshard
VA Wolfl

Výstavný katalóg. Skulptur - Plastik - Objekt - Installation - Fotografie.

Katalóg výstavy Zeitgenössische Kunst im Exil.

Katalog k výstavě "Kulturní region Chebsko".
Fotoalbum.

Výstavný katalóg.

Výtvarná monografia.

Slike - crteži - objekti - instalacije - fotografije 1971-2004.

Performances, Installationen, plastische Werke 1994-2014

Umelecká monografia.

In 1983, the Brazilian designers Fernando and Humberto Campana began to develop furniture made with everyday materials such as cardboard, rope, fabric and wood scraps, plastic tubes and aluminum wire. By the early 1990s their often controversial designs had won champions across the world, especially in the U.S., where they became the first Brazilian designers to exhibit at The Museum of Modern Art in New York. This survey of their work contains illustrated articles by international authors. Maria Helena Estrada, design critic and publisher in Sao Paulo, writes a biographical essay on the brothers, Mathias Schwartz-Clauss provides an interpretation of their work of the past 20 years, Massimo Morozzi, artistic director of Edra, offers an account of the Campanas` collaboration with his company, Adelia Borges, writer, curator and teacher in the field of design, describes current-day popular culture in Brazil, finally, Fernando and Humberto Campana contribute nine collages that play with the documentation of their exhibitions. The catalogue`s third section groups all exhibits by concept, reproducing them in full color and providing technical details as well as extended captions.

Kunstlersymposium Peuerbach 1999.
Samy Benmayor, Franz Blaas, Alix Delmas, Ava Gerber, Vladimir Havlik, Johann Jascha, Anna Stangl, Steven Steinman

Výstavný katalóg z výstavy konanej 25.4.-17.5.1995, Výstavní síň Mánes.

Vom Umgang mit Material und Farbe.

Historicko-dobrodružný román o boji indiánov proti belochom.