Literaturförderung im internationalen Vergleich: ein Bericht über Förderformen, Literatur-Fonds und Beispiele praktischer Unterstützung des literarischen Lebens.

und eine kleine Blume muss man haben` : Blumenzauber aus der Zeit Hans Christian Andersens.

Landschaftsführer.

Wohnkultur und Lebensstil in Japan.

Mit zahlreichen Abbildungen, Notenbeispelen. First edition. With many illustrations in color and b/w.

1060 Zitate geben 1060 Antworten.

Kniha receptov.

Der Kunsthändler Georg Khalkis stirbt an Herzversagen. Sein noch vor kurzem abgeändertes Testament verschwindet. Bei der Suche nach seinem Letzten Willen macht man eine grauenhafte Entdeckung. In Khalkis´ Sarg liegt eine weitere Leiche - mit Würgemalen am Hals...

From Kunsthaus Zürich: `With cameras that he himself skillfully and imaginatively cobbled together from old tins, spectacle lenses, toilet rolls and cigarette boxes, in the 1970s and 80s Miroslav Tichy took over a hundred shots a day of women in his small hometown in Moravia.The results of those forays are shots of women at the market, in the swimming pool, at work, in pubs, in the streets and public squares.The shots are taken using cameras without viewfinders, and Tichy systematically ignores the principles of skilled photography, which insists on the fine-tuning of the relationship of the gaze and the world, the gaze through the viewfinder and the gaze of the cold glass eye of the camera. Instead Tichy largely shifts the processes of considered creativity into the darkroom and post-production. The contact sheets show how he lets chance guide his perambulations, in the first instance simply collecting vast amounts of material. It is only when he is working with the enlarger that images are selected and details tested out.Yet even these enlargements are still only raw materials, and it is only the images that receive full approval that make the grade: with hand-done, drawn additions to the picture surface and a purpose-made, individually cut and painted cardboard passepartout. Breaking all the rules of technical correctness, intentionally revealing photochemical processes, using the most primitive of equipment, expressively retouching images, working and reworking the surfaces of the prints manually, mechanically or with pen and pencil -- all these are reminiscent of the experimental methods developed by artists in the last three decades to reclaim or to rediscover for themselves the expressive content of a technology that seemed to have been rendered sterile. By the same token, Tichy`s work is about much more than just snapping images: motifs and compositions reflect each other in a now melancholic, now ironic interplay of mimesis and self-referentiality.`

Von Ulaanbaatar in die endlosen mongolischen steppen, von den Gipfeln des Altai in die Wüste Gobi ... Entdeckungsreisen im Land des Chingghis Khaan Mit Extra Reisekarte